« Deep sea minding » by Superflex
The Deep Sea Minding project, by the artist collective Superflex, merges scientific and artistic research to understand the marine world and anticipate how it might evolve in
« Deep sea minding » par Superflex
Le projet Deep Sea Minding du collectif d’artistes SUPERFLEX croise la recherche scientifique et artistique pour comprendre le monde marin et appréhende son évolution à l’heure du réchauffement
Interview of the artist Agnieszka Kurant
Art of Change 21 – What’s new with you? Agnieska Kurant – This month I was awarded the Frontier Art Prize – an annual $100,000
Interview de l’artiste Agnieszka Kurant
Art of Change 21 – Quelles sont vos actualités ? Agnieszka Kurant – Ce mois-ci, j’ai reçu le prix Frontier Art Prize qui offre
No country for canine, by Wu Chuan-Lun
At Taipei Fine Arts Museums, Wu Chuan-Lun‘s No Country for Canine exhibition is entirely dedicated to German Shepherds – a dog breed doubly present in Taiwanese and German
No country for canine, par Wu Chuan-Lun
Au Musée des Beaux-Arts de Taipei, l’exposition « No country for canine« de Wu Chuan-Lun est entièrement consacrée au Berger Allemand, une race de chien doublement présente dans l’histoire taïwanaise
« The Posthuman City. Climates, Habitats, Environments: how to associate post-human with urbanism
An anti-speciest wind is blowing in Singapore with The Posthuman City: Climates, Habitats, Environments. This exhibition invites visitors to imagine conditions for living, resource sharing and coexisting between species,
« The Posthuman City. Climates, Habitats, Environments » : comment associer le post-humain et l’urbain
Un vent antispéciste souffle à Singapour avec l’exposition « The Posthuman City. Climates, Habitats, Environments« qui propose d’imaginer les conditions de vie, de partage des ressources et de coexistence
Michael Wang: for a rehabilitation of the wilderness
From 19 September 19 to 31 October 2019, the Swiss Institute in New York, in partnership with the Lower Manhattan Cultural Council, is presenting the first
Trees, from object to subject
The title of the exhibition Trees says it all (Nous les Arbres): trees are a subject not an object, living beings capable of communicating, adapting,